Minos Kalokairinos: The Original Excavator of Knossos

Arthur Evans tends to be the first name that comes to mind when one thinks of Knossos and its initial discovery and excavation. However, the original excavator is less widely known. His name? Minos Kalokairinos (yes, Minos!), a so-called novice archeologist, businessman, lifelong student, and antiquarian. That being said, the first excavation of this ancient Cretan site took place in 1878, not 1900 (by a Cretan person no less).

a photo of stairs leading into a chamber with pillars at Knossos
a photo of stairs leading into a chamber with pillars at Knossos

Minos Kalokairinos, The Palace of Minos: Mere Coincidence or Fate?

Not to get too poetic about it, but I do find it interesting that Minos shares the name of the legendary king Minos, which the Minoan civilization was named after (by Evans). Also, he was the first person to pin down the location of the Minoan ruler’s palace (also known as the Knossian Labyrinth). It’s far too synchronistic, if you ask me…

a photo of Minos next to an artifact
a photo of Minos next to an artifact

The Life of Minos Kalokairinos (Μίνως Καλοκαιρινός)

Born back in 1843 on the island of Crete in Heraklion, Minos was the son of an affluent landowner named Andreas Kalokairinos (he actually owned the Knossos site). Following in father’s footsteps, his life was a balancing act between entrepreneur and scholar.

Academic Pursuits

Minos pursued his secondary education at Syrus, followed by a law degree at the University of Athens, which was short-lived. A year into the program, his father passed away from a serious illness. From there, he and his brother Lysimachus took over the family business until 1871. Eventually, his unwavering entrepreneurial spirit led him to soap manufacturing at an award-winning level. Alas, that was also short-lived when he became bankrupt. Thankfully, he would later oscillate back to his scholarly endeavors to continue his studies, which would lead to a degree.

May the Excavations Begin!

During 1878, Minos embarked upon quite a feat: the initial Knossos excavations! However, he would only be entitled to a third of the findings because two other individuals already owned the site. This primary excavation spanned the course of nearly a month and comprised the Royal Palace complex, namely the west and south wings.

Another Roadblock

However, the political situation at hand at the time had other plans (Crete was under Turkish occupation). Less than a year later, Fotiadis Pasha (the Christian Commander of Crete) visited the site to check on their progress. Unfortunately, he and the city’s scholars came to a unanimous decision to halt the excavations right then and there, in the name of protecting the findings.

Shaken But Tenacious

Even still, Minos was deeply passionate about this ancient palace and dreamed of making Knossos the talk of the world. So, he discretely escorted various archaeologists, diplomats, etc. at Knossos and showed off his private collection. By 1886, famous German archeologist Heinrich Schliemann (the one who discovered Troy) paid Minos and the site a visit. That alone could have changed everything, but continued excavations were still forbidden.

The Second Excavator Takes Over as The First Bows Out

A pivotal moment came in 1894, when Sir Arthur Evans arrived to survey the site for himself. Immediately in awe, he purchased a fourth of Kephala Hill. Six years later, the excavations officially started back up again. The exact date? March 23rd 1900, the date most are familiar with and reference when it comes to the “first” Knossian excavation.

The Throne Room was first in line, and in two years’ time, the entirety of Knossos was dug out of the pervasive ash. This was certainly a groundbreaking time, but alas, Minos retired due to tragedies that befell him and his loved ones. Long story short, a vast genocide of civilians by the Turks in 1898 took the life of his beloved brother Lysimachus and son. His niece also went missing. And if that wasn’t horrific enough, his home was set ablaze, his precious collection of artifacts and all.

a statue of Minos at Knossos
a statue of Minos at Knossos

Minos’ Legacy Lives On

However, all hope was not lost. In 1903, Minos’ nephew built a new mansion. To this day, this mansion is home to the Historical Museum of Heraklion. And prior to Minos’ passing in 1907 (on an island no longer under the Ottoman Empire’s rule), he had the opportunity to publish a journal primarily dedicated to Knossos called the “Cretan Archaeological Ephemeris”.

And while that house fire destroyed many of his findings, Minos fortunately had quite an extensive assemblage of artifacts. The amphorae found in Knossos’ western wing were donated to Greek museums and beyond to garner global intrigue.

It is Μίνως Καλοκαιρινός’ initial explorations and discoveries that led to those major excavations that revealed an expansive and elaborate palace of ancient times to the world. That is a fact that should never be overlooked! He may have not had to opportunity to see things through until the end, but his contribution to Crete’s rich history will have an enduring ripple effect.

a headshot of Minos
a headshot of Minos

Kotsonas, A. (2016). GREEK AND ROMAN KNOSSOS: THE PIONEERING INVESTIGATIONS OF MINOS KALOKAIRINOS. The Annual of the British School at Athens,111, 299-324
Municipality of Heraklion: Knossos
Μίνωας Καλοκαιρινός: Ο άνθρωπος που οδήγησε τα βήματα του Έβανς







Minoan Symbols: The Labrys (Butterfly Axe)

A “Weapon” That’s Far From It

The double-bitted axe may look like a robust weapon to use in war (and it was in various areas of the world), but in ancient Crete, it mostly served as a sacred symbol. In fact, its main symbolism is the brink of creation, which is referred to as Mater-arche (“arche” means “beginning”). Interestingly, The Labrys (pelekus: πέλεκυς in Classical Greek) solely accompanied goddesses, never gods, and its spiritual significance can be confirmed by how often smaller versions were found alongside other religious objects. These little double axes were used as votive offerings. A less peaceful use for the so-called butterfly axe (often taller than an adult) was for bull sacrifice rituals conducted by priestesses.

Bronze votive double axe from the cave of Archalokori, Crete. Photo from Wikimedia Commons: Jebulon
Bronze votive double axe from the cave of Archalokori, Crete. Photo from Wikimedia Commons: Jebulon

A Timeless Symbol of Divine Feminine Power

Seeing as The Labrys was solely used by Minoan women and only depicted with mother goddesses, it encapsulated the sovereignty of the divine feminine and matriarchy. Although, it is posited that Minoan Crete was egalitarian and not a full-fledged matriarchal civilization. This powerful symbolism has carried on through the ages and wound up becoming one of Olympian god Zeus’ prime symbols in Greek mythology. In the present day, it’s a symbol of Hellenic polytheism.

Reconstructed fresco of a goddess holding a labrys in each hand and worshippers
Reconstructed fresco of a goddess holding a labrys in each hand and worshippers
Photo source

Conclusion

Much like the Horns of Consecration, the Labrys was an prevalent symbol throughout Minoan civilization. Not only were they created in numerous sizes with various materials like bronze, gold, or clay, but they were also carved in the outlines of the labyrinth at Knossos, as well as engraved on sealstones and painted on pottery.

Hellenica World: Labrys
Penn Museum: The Double Axe and Some Other Symbols
Symbol Sage: Labrys Symbol
*Featured photo credit: Votive double axes of gold sheet. Arkilochori Cave, 1700-1450 BC. Archaeological Museum of Heraklion. Found on Wikimedia Commons by Zde.

The Minoan Mother Goddess

Multifaceted Goddess or Many Deities?

According to numerous scholars, the primary deity in the Minoan religion was a multifaceted mother goddess who was solar in nature. Usually, “she” was depicted alongside animals (both mythical and native to the land), a male consort, and/or priestesses. While there is no true consensus, she is considered one deity with various aspects, including a mountain, dove, poppy, snake, and fertility goddess. This presumed multidimensional goddess would eventually become the Artemis, Athena, Ariadne, Medusa, etc. of the Ancient Greek pantheon. At the same time, there’s a good chance that their religion was polytheistic, and these were all separate gods with their own unique attributes.

Snake Goddess from the Palace of Knossos – Wikimedia User Photo by Chris73

The Maternal Snake Goddess (or Priestess)

What typically comes to mind for the Minoan Mother Goddess is the Snake Goddess figurine that was restored by British archeologist Arthur Evans along with Danish artist Halvor Baggeartist. The main problematic elements are that her head and part of her arm were missing and it’s not 100% certain that she was a true goddess. In general, it’s been difficult to distinguish between deity, priestess, ruler, etc. in Minoan art. However, the symbolism behind The Snake Goddess in particular is creation, fertility, welfare of the household, and wisdom. And if we were to take a retrospective approach from an Ancient Greek perspective to this particular deity depiction, we can see some of those traits in goddesses like Athena, goddess of wisdom and protectress of cities. In fact, “Atana Potnia” (thought to be Mistress Athena) is one of the Minoan Mother Goddess’ many names (that could be the names of other goddesses if the religion is in fact polytheistic).

Illustration of “Faience figure from Knossos – A votary of the Snake Goddess” in The Outline of History written by H.G. Wells and illustrated by J. F. Horrabin

A Breakdown of Key Mother Goddess Traits

Domains: renewal, household welfare, wisdom, renewal, fertility, sexuality, creation
Other Names: Diktynna, Great Mother Goddess, Great Goddess, Atano Djuwaja, Atana Potinija, Atana Potnia, Mater Theia
Deity Type: cthonic, creatress, household
Symbols: sun, various animals (especially snakes). A cat is depicted atop the Snake Goddess figurine’s crown, but that is a controversial addition to this day. In fact, a replica that I bought from the Knossos gift shop has an owl on top.
Precursor to: Artemis Eileithyia (Greek goddess of childbirth) and Athena Parthenos (Greek virgin warrior goddess)
Goddess Equivalent: Neith (Egyptian goddess of creation, war, and weaving)
Other Associations: Ariadne (goddess of labyrinths and Cretan Princess), Medusa (one of the three Gorgons in Greek mythology)

Art History Resources: Snake Goddess
Pantheon (Encyclopedia Mythica: Minoan Snake Goddess